PHOTOGRAPHY- 44
About Developers………
As presented earlier, film developers
are not alike in view of their formulation specificities and each manufacturer
chooses to have some ‘patented approach’ in choice of chemicals to suit their
brand tradition. So, developers are simultaneously generic in function and
specific by chemistry behind. I may sound a little confusing but that is it!
Another caution
Whenever one goes about mixing
developer[s] for personal requirement , it is sensible to remember the ‘oxdizability’
tendency of the developing agent. Normally a few practices can help in safe guarding the developer from undue
oxidation. Critical workers prefer to boil the water thoroughly to expel the
air dissolved in water. BUT NEVER ADD DEVELOPER CHEMICALS TO BOILING WATER.
Instead, USE BOILED and COOLED water so that, the activity of the intended
chemistry survives . Good workers use distilled water to avoid the occurrence
of inadvertent dissolved chemicals that can alter the efficacy of development
and also influence the pH of the medium .
A sound advice to all beginners
The developing agent[s] must stay
functional [unoxidized]. So, before plunging the developing agent [Metol/
Phenidone/ Hydroquinone] , add at least a pinch of the preservative Sodium
sulphite , so that it quenches the internal oxygen in water and prevents the oxidation
of developer. It also means that the necessary total quantum of Sodium sulphite
should already have been weighed and kept for use, from which a small quantity
may be dispensed into the solution, keeping the final volume of Sod. Sulphite, as specified in the formula.
Further
While mixing colour developers –a
special agent named PPD*/ CD2/CD3/CD4 may be a component. All these have a
tendency to form oily, floating droplets
if mixed in the same order as specified in the formula. In such situations, the
quantum of the colour developer is individually dissolved in a small quantity
of D Water and the solution delivered into the developer mix goes easily into
solution and the isue of immiscibility is just ruled out. [*PPD
=Paraphenylenediamine- an organic chemical known for processing ‘dyes’ infused
in colour films. It was a somewhat ‘crude’ agent. Progressive refinements in
synthesizing colour developing agents yielded refined products CD2, CD3, and
CD4, where CD STANDS FOR Colour Developing Agent numbered according to
chronological evolution. When film photography was at its zenith the highest
version was CD4, till the very scheme turned defunct in the first decade of the
present millennium]
CD4 is chemically
4(N-ethyl-N-2-hydroxyethyl[-2-methylphenylenediamine
From the data presented above, it can
be learnt that exhaustive research and refinements preceded the onset and
expansion of colour photography through
the 20th century , especially for purity of colour reproduction and
colour saturation. Colour saturation is a quasi technical term to emphasize the
aspect of purity of colours in results
presented by processing the dye records in films and photo papers manufactured
under very rigid conditions of ‘light proof ‘ systems of large scale
manufacture of films and papers. Major contenders for excellence were of
course, Kodak, Fuji, Konica, Agfa, Mitsubishi and ORWO to name some. There
would have been more other items from Europe, though I cannot with any
authenticity claim knowledge on all such products.
Friends, Now two
options lie before us 1 to right away take the course into printing aspects for
BLACK and WHITE images and 2 to
discuss in depth the diverse aspects of colour photography though as of now,
either of them IS not practised in our country. I know there is a global effort
to revive Film photography for its
innate characteristic of ‘demanding accuracy of effort’ in every step to stake
claims of ‘personal creativity ‘ by any photographer and [or] dark room
technician.
I CANNOT BE WRITING ON A TOPIC OF
THIS NATURE, UNLESS I AM CONVINCED THAT IT TRULY REACHES READERS. If I am
robbing your precious time, better I wind up with peripheral information on
photo printing, saving your time and mine as well and as much.
K.RAMAN
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